Graduating from the Artificial Bubble

College classes are an artificial bubble. Students emerge from that bubble upon graduation—often without realizing it. After a few months, they feel frustrated at not making progress. 

In college, they had clear tasks, clear deadlines, and a clear payoff—grades and new classes. That’s all gone outside of academia. As new employees, graduates are likely to start at the bottom of the ladder, be assigned tasks lacking clear instructions, and produce inferior work. 

Here’s the good news: Knowing this is coming will blunt the repetitive grind. Knowing this depressing condition is only for a time will make it easier to keep going. By letting go of former expectations, graduates can fully embrace the new way of life.

Stephen Goforth

Availability bias

People give their own memories and experiences more credence than they deserve, making it hard to accept new ideas and theories. Psychologists call this quirk the availability bias. It’s a useful built-in shortcut when you need to make quick decisions and don’t have time to critically analyze lots of data, but it messes with your fact-checking skills.

Marc Zimmer writing in The Conversation

Measure Up

There is no way to quite describe the feeling that I got when I sat down to eat with daughter at the school cafeteria for the first time. She looked up at me. It was a look that said she completely adored me just for being me. That just blew me away. She couldn't hardly sit still, or know what to do with her hands, as if she wanted to hug me.  There was a searching look as if to say, "Who am I?"  "Tell me who I am."

Fathers have a way of planting life mottos in the heads of their daughters.

"Measure Up!" is one of the most often heard. Perhaps it is never verbalized, but a daughter knows what's expected—and her attempts to live up to those expectations from her childhood result in her running her life by guilt. She ends up serving a motto instead of her creator. 

Stephen Goforth

Time Pressure at Work

The typical form of time pressure in organizations today is what we call “being on a treadmill” – running all day to keep up with many different (often unrelated) demands, but getting nowhere on your most important work. That’s an absolute killer for creativity. Generally, low-to-moderate time pressure is optimal for creativity. But we did find some instances in which people were terrifically creative under high time pressure. Almost invariably, it was quite different from being on a treadmill. Rather, people felt like they were “on a mission”— working hard to meet a truly urgent deadline on an important project, and protected from all other demands.

Teresa Amabile talking about her book The Progress Principle  

Three Goals for 2018

“Kierkegaard cries out for us to live passionately, and worry more about the problem of living life than trying to fit the social order. His philosophy is all about living this way, even to the point where an outside viewer will be unable to understand your motivation,” writes Scotty Hendricks at BigThink.

1. Be passionate,

2. Focus on living not fitting into some predetermined social role,

3. You will know you are on the right track when people have trouble grasping what motivates you.

Three worthy goals for 2018.

Stephen Goforth

What we really believe

Every person expects to be treated as a person. The proof that he really believes there are some unconditional values is that he expects his freedom and dignity to be respected. In his actions, he may not always respect others, but in his reactions he proves that he always expects others to respect his freedom and dignity. Hence, human expectations are the key to what a man believes to be absolute.

Norman Geisler, Options in Contemporary Christian Ethics

Memories are Overrated

A comment I heard from a member of the audience after a lecture illustrates the difficulty of distinguishing memories from experiences. He told of listening raptly to a long symphony on a disc that was scratched near the end, producing a shocking sound, and he reported that the bad ending “ruined the whole experience.” But the experience was not actually ruined, only the memory of it. The experience itself was almost entirely good, and the bad end could not undo it, because it had already happened. My questioner had assigned the entire episode a failing grade because it had ended very badly, but that grade effectively ignored 40 minutes of musical bliss. Does the actual experience count for nothing?

Confusing experience with the memory of it is a compelling cognitive illusion – and it is the substitution that makes us believe a past experience can be ruined. The experiencing self does not have a voice. The remembering self is sometimes wrong, but it is the one that keep score and governs what we learn from living, and it is the one that makes decisions. What we learn from the past is to maximize the qualities of our future memories, not necessarily of our future experience. This is the tyranny of the remembering self.

We have strong preferences about the duration of our experiences of pain and pleasure. We want pain to be brief and pleasure to last. But our memory (represents) the most intense moments of an episode of pain or pleasure and the feelings when the episode was at its end. A memory that neglects duration will not serve our preferences for long pleasure and short pains.

Daniel Kahneman, Thinking, Fast and Slow

the Mask of Guilt

The fear of repeating a wrong or a fear of repeating past failures can produce an anxiety that can be mistaken for lingering guilt. Rising to meet even the simplest of expectations can be difficult. We become angry at ourselves and guilt-ridden. The bar is so low. Why can't rise above it?  But guilt isn't the culprit. Fear wears the mask of guilt, fooling us into wearing its chains.

Stephen Goforth

Expect the best!

Expect the best at all times. Never think of the worst. Drop it out of your thought, relegate it. Let there be no thought in your mind that the worst will happen. Avoid entertaining the concept of the worst, for whatever you take into your mind can grow there. Therefore, take the best into your mind and only that. Nurture it, concentrate on it, emphasize it, visualize it, prayerize it, surround it with faith. Make it your obsession. Expect the best, and spiritually creative mind power aided by God power produce the best.

Norman Vincent Peale, The Power of Positive Thinking

When self-expression meets the classics

Should we teach art students to recognize, understand and dissect classic works of art - or should we encourage them to explore creative self-expression, apart from the cultural context?

If beginners are taught to internalize the classics before finding their own voice, won't they be nudged to conform to expectations and tempted to stay inside the box of what has gone before? Are they wasting time learning how others express themselves rather than learning to do so themselves? Will stepping in the shoes of the masters cause them to avoid pursuing ideas outside of the norm? 

Unconventional artists and visionaries have often been shunned by peers - only later to be revered by another generation. If these craftsmen had conformed, if they had stifling their inner voices, they might not have stepped out of the crowd and we would have never had the chance to appreciate their genius.

However, if we teach students to venture out on their own, aren't we just treating them like toddlers, telling them to go play in the paint - without guidance? Failing to study the masters means missing the opportunity stand on the shoulders of those who have gone before and to see further down the road. Keeping them away from the classics could mean failing to grasp the value of the great works that have stood the test of time. How can students understand where their own feet are planted in history unless they know about others who have struggled and flourished.

Perhaps we need both sides and the danger lies in slavishly taking one position or the other. Perhaps we can learn the rules before breaking them and avoiding simply mimicking the masters. Perhaps we can tap into the echos of their inspiration rather than plunging into our own narcissism.

Asking, "Am I creating to please myself or to please others?" may bring clarity. If you are creating to please yourself, then diving into what’s culturally hot may take you away from your goal. But if you have decided to create for the crowd, then knowing what is already valued seems like a reasonable starting point.

Stephen Goforth